The Nigerian film industry, popularly known as Nollywood, was once seen as a mass producer of poor quality “home videos.

Noo Saro-Wiwa is a celebrated Nigerian-born travel writer. Her latest book is Black Ghosts.

Critics mapped this transformation as Cape Town established itself as a hotbed of the new opera.

And when that activist is a Black gay man, Simon Nkoli (1957-1998), how do you reclaim his story from the stereotypes?